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Muzafer Korkuti:
Director of Albania's Institute of Archaeology
An
interview by Richard Hodge
Muzafer Korkuti, Director of the Institute of Archaeology in Albania since 1998,
is a thoughtful scholar who modestly conceals a fascinating education of the
kind none of us are likely to have again. Interviewed over lunch, he was at
first shy to describe how he became an archaeologist and how his career
unfolded, and only after an hour, did he become more strident and confident as,
I think, he began to appreciate the patterns emerging in the story he was
telling. On the other hand, I was not in the least surprised by him because he
is the rarest of archaeologists - a product of Stalinism and a student in
Leningrad, who spent ten months in China during the cultural revolution,
studying and on excavations, and has more recently co-directed two major
projects with senior American archaeologists.
We
talked over lunch in one of Tirana's fashionable Italian restaurants following a
book launch in the Academy of Sciences. MK, as he is often known, was ebullient.
Fourteen books on Albanian archaeology were published in 2004, mostly by members
of his Institute. The launch in the Academy of Sciences had been an occasion for
this normally reserved man to effusively blow his trumpet. The following day,
what is more, the government would designate nine new archaeological parks.
Archaeology is thriving in Albania, he ventures. His sense of pride and
amazement is palpable.
Muzafer Korkuti was born in southern Albania sixty-nine years ago. The republic
was little more than twenty years old, and gravely impoverished in the aftermath
of the end of Ottoman dominion. He had a desire, he said, to work with 'things'
that he could touch, and yet he confessed to a pleasure in cerebral disciplines
such as mathematics and physics. So, it was no accident that in 1955, as
befitted the communist planning he was first an elementary schoolteacher in a
village called Here in the Adriatic coastal district of Vlora, On graduation he
was selected for specialization and then selected again, soon after Nikita
Khruschchev's groundbreaking visit to Albania in 1959, to go to Moscow. After
two months studying in the Institute of Archaeology in Moscow, he proceeded to
Leningrad University. Clearly he loved this period of his life. More than two
thousand young Albanians - mostly naval cadets - were in the city at the time.
In the Leningrad seminar he received a rich grounding in understanding how to
use material culture to write history. Issues like how bone tools were made and
classified fascinated him, whereas dealing with the intricacies of Slavic
history baffled him. His sojoum in the Soviet Union, however, was abruptly cut
short when Enver Hoxha, after visiting Beijing, denounced Khruschchev for
deviating from the true path of stalinism. First, the navy cadets were summoned
home, and then students likeMK. and then the school's director. On New Year's
Eve in 1956, his life changed forever. Summoned with his brightest students to
the Palace of Brigades in Vlora, they made a presentation to Enver Hoxha,
Albania's quixotic communist dictator. As MK put it, filled with the spirit of
socialism, they presented themselves 'with emotion and affection'. A year and a
half later, MK was summoned to Tirana to study whatever he wanted at university.
At first he thought of being a physicist, then he appreciated the presence of
the Soviet archaeologists in Albania, and attracted by the prospect of
fieldwork, spent three happy years training as an archaeologist. At Apollonia,
working alongside the Soviets, he found a marble bust of Demosthenes.
Back in Tirana, MK completed his studies, defending his thesis in the social
sciences department of Tirana University on an early Hellenistic tumulus at
Apollonia. In these years he assisted Frano Prendi excavating the remarkable
waterlogged Neolithic village at Maliq in south-east Albania. These rescue
excavations, with their rich stratigraphic deposits, transformed Neolithic
archaeology in the country. Quite as remarkable is a clip of film made about
Maliq. Doubtless arranged for the cameras, the young MK drives up in a jeep to
the trench and then, accompanied by his colleague, Alexandra Mano, strides
purposefully to survey the exposed waterlogged remains. In the grainy black and
white film, the lean MK resembles Gary Cooper, while his companion with a bright
billowing skirt belted tightly at the waist brings to mind Marilyn Monroe in
John Huston's film, The Misfits from exactly this time. The skilfully
contrived scene conveys the energy and elegance of individuals, who were
enjoying an Albania that felt, possibly for the first time, that it had
direction. MK worked with Prendi for fourteen years on this site, work that led
to many essays and his monograph, Neolithikum und Chalkolithikllnl im
Albanien (Mainz 1995).
In
1965 MK had the chance of a lifetime. Following an agreement between the
Albanian and Chinese Academies of Sciences, exchanges of academics began. MK was
very thoughtful about the reasoning behind this because there were huge gaps
between the political circumstances in the world's biggest state and, then, one
of the world's smallest. Of course, the citations of Mao Zedong's and Enver
Hoxha's works in every scientific activity were something common to both. Yet,
the Palaeolithic was a common language. MK was to be away for 10 months. He flew
from Tirana to Prague, to Moscow, to Omsk, then Siberia, to Irkutsk and then
Beijing. For 6 months he attended lectures with rei Ven Cun, after which he
spent one month on a Palaeolithic excavation and then three months visiting
Neolithic and Bronze Age sites. Mostly he communicated in Russian. 'They were
advanced theoretically (he mused), the basic definitions haven't changed much
since then.' The Palaeolithic, he thinks aloud, is a common language across the
world.
They were both practical and pragmatic yet, he concluded, the experience gave
him a world vision. Pei Ven Cun was a student of Henri Breuil and claimed to
have learnt three things from the French prehistorian: the Palaeolithic, how to
drink wine and something he would not admit. Pei Ven Cun had been a member of
the Chinese-American team in the 'thirties that discovered (and lost) the
remains of Peking Man.
Back from China, he soon had the opportunity to dig in Romania. Naturally it was
a Neolithic settlement site in the Danube where a hydro-electric plant was being
built. The Romanian school of archaeology, he mused, was 'very competitive'
with West European practice, as he later discovered when he toured Italy. In
these years he focused upon a general history of prehistoric society,
concentrating upon the environmental and technological dimensions. Gordon
Childe's work was a great int1uence. Childe's historical approach to the making
of Neolithic societies in the Balkans was very much the framework for his
research. At which point he smiled and recalled a man from Skhodra, in northern
Albania, who was aware of Childe's Man Makes Himself, and, unemployed,
solicitously wrote to the government, saying 'I need a job or else I will
become a monkey'.
Almost inevitably, in 1967, MK became Director of the archaeological centre, at
that time a section of the Institute of History and Linguistics. Over the next
nine years he transformed the centre, launching the journal Illyria and
in 1972 daringly holding a major international conference on IIIyrian
archaeolo!,'Y to which westerners like N.G.L. Hammond and the young Anthony
Harding were invited. In this period, too, he invited a French mission to return
to Albania, and so Pierre Cabanes, from Clermont Ferrand university, began his
long association with Apollonia, continuing the work of Leon Rey in the 1920s.
But
Albania in the 1970s began to feel the first effects of isolation, once
relations with the Chinese were broken off. The next quarter-century was to be
far from easy. In 1976, in keeping with party policy, MK was replaced as
Director by his long-standing friend, Alexandra Mana and sent to a regional
office at Fier (near Apollonia). For many the policy of sending Tirana's
intellectuals to the provinces was a rude shock. For MK it proved to be a
peaceful, absorbing period of his life. As a young student he had enjoyed
excavating at nearby Apollonia with the Soviet mission led by Vladimir
Demitriovich Blavatski. Now, he focused upon making a museum in Fier that
illustrated the rich archaeology of the region, setting the scene for his
collaboration with]ack Davis of Cincinatti University in the late 1990s
Mallakaster field survey. By the end of the decade, though, he was once more
back in Tirana, and head of the archaeological institute. As Albania manifestly
declined in its isolation in the 1980s, MK found reserves of energy, excavating
a Neolithic site each year, and notably instigating a major summer school at
Butrint in 1982 to train a new generation of archaeologists. Most years as many
as 20 field projects were sponsored by his institute. Well-thought of by the
government, money was not an issue, only the limitations of staffing the
projects. In 1984 he was once again excavating abroad, this time on a Palaeo
lithic site near Paris.
At
the end of the 1980s he stood down as Director: Albania was embarking upon a
confused, hellish period with the struggle towards democracy leading to
elections in 1991. Looking back to this bleak time when the Institute of
Archaeology (as it was now named) went from being a premier academic flagship of
communist Albania to an impoverished bi-stander in the mad dash towards
capitalism, MK became very thoughtful. '1990-95 was hel]" he said, 'areal mess
and intellectually confused'. This was equally true for Albania's archaeology.
The serious scholars, he mused, resisted as best they could, while the
'lightweights' quit the field. Many did, indeed, leave. Yet in the
extraordinary Ruritanian era of the early 1990s MK cleverly reinvented
himself, forging an important collaboration with Karl Petruso of the University
of Texas at Arlington. As MK put it: Petruso had worked at the legendary
Frankthi Cave excavations in Greece, while he was then embarking on the
Konispoli Cave excavations (near Butrint). They came to the project in a period
of great turmoil with different methodologies, different backgrounds and had a
'wonderful collaboration for four years'. Encouraged by this experience, MK
fostered a new collaboration with Jack Davis of Cincinatti University,
introducing the most modern field survey methodologies to Albania, and,
unexpectedly, discovering remarkable Upper and Middle Palaeolithic scatters in
the Mallakaster region around ancient Apollonia.
Re-elected Director in 1998, he feels certain that Albanian archaeology has
survived the chaos and is now beginning to flourish. MK sees the new era as a
stabilizing phase with growing prospects. He points to the increasing presence
of foreign missions collaborating with Albanian teams. The foreigners are
introducing different experiences that enrich Albanian archaeology. Then, too,
he is proud of the fact that 45% of Albania's archaeologists are young, having
completed their post-graduate degrees (mostly abroad) over the past 5 years or
so. Looking forward, therefore, there is an eager energy much as there was when
he first joined the profession.
After speaking for more than an hour, this normal quiet, even reserved man, was
cheerfully animated. He plainly enjoyed reviewing his personal history. I asked
him for a final thought, and he concluded that it was 'absolutely necessary to
love what you do in order to achieve something. That is the key to success.' His
passion for archaeology is palpable. His academic life, punctuated with episodes
in Khrushchev's Soviet Union and in China during the Cultural Revolution, has
been played out on an international stage, now magnified, paradoxically, by his
experiences co-directing projects in his homeland with American teams.
Throughout, though, he has found an inner discipline as Albania itself
experienced profound changes of direction by investing in investigating and
publishing Albania's remarkable prehistoric record. In many ways, he is a
disciple of Gordon Childe, bringing to his science the rigour and intellectual
endeavour that we associate with one of archaeology's greatest thinkers. Above
all, he has quietly and skilfully ensured that his science has not only
weathered the storms of ideological turmoil but prospered as well.
Richard Hodges
is
the Director of the Institute of World Archaeology in the Universit)l of East
Anglia and Scientific Director of tile Butrint Foundation.
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